Dagny Taggart[ edit ] Dagny Taggart is the protagonist of the novel. Given James' incompetence, Dagny is responsible for all the workings of the railroad. Francisco d'Anconia[ edit ] Francisco d'Anconia is one of the central characters in Atlas Shrugged, an owner by inheritance of the world's largest copper mining operation.
As he walks home from his office late that night, Rearden thinks about the ten years of excruciating effort that went into inventing his new metal. We learn that he has been working since he was 14 years old, starting in the ore mines of Minnesota. With exhausting labor over a period of decades, he rose to own the ore mines.
Now he owns steel mills as well. The first thing that Rearden made from the first heat of Rearden Metal was a bracelet for his wife, Lillian. When he arrives home, he gives Lillian the bracelet. Lillian, his mother, and his unemployed brother — who all reside with Rearden and live off his income — insult him.
The trio tries to make Rearden feel guilty for the hours that he works and his love of the company, and they accuse him of neglecting them. Lillian looks at the bracelet, which is shaped like a chain, and remarks, "A chain.
It's the chain by which he holds us all in bondage. Larkin says that the newspapers depict Rearden as an antisocial enemy of the people, interested only in running steel mills and earning a profit.
Rearden says that the newspapers are right about his love for his business. Larkin hints at possible political dangers and warns Rearden to make sure that his "Washington man," the political lobbyist he pays to protect him from the legislation of the socialist rulers, is loyal.
Analysis This chapter establishes several important points regarding Rearden and his family. Rearden is an innovative metallurgist who, by means of herculean labor over a ten-year period, created a new metal that will revolutionize industrial production.
Like all great creative minds, Rearden is motivated by his love of the work constructive action in the field of his choice. His work — both as a manufacturer of steel and as the inventor of Rearden Metal — is enormously beneficial to his fellow man every day.
This fact pleases Rearden, but it's not his driving motive.
His motivation is the creative effort itself, his love of doing the work. The positive results that his fellow man accrues are a felicitous secondary consequence. With the character of Hank Rearden, Ayn Rand makes a point regarding the nature of creative individuals.
Rearden is similar to the great inventors, industrialists, writers, and artists of history. The Edisons and Wright Brothers, the Carnegies and Rockefellers, the Shakespeares and Michelangelos all created works that significantly benefitted mankind.
Whether through the electric light or the airplane, the production of steel or oil, or the creation of brilliant poetry or sculpture, these great minds have been the benefactors of human society. But, like Rearden, these creative geniuses are driven primarily by their love of their work — by their passionate fascination with a specific field of endeavor.
Rearden, and all original thinkers like him, are self-driven, self-motivated, and self-actualized. They aren't slaves to others, nor do they think of themselves as such. Rearden is selfish, not in the conventional sense of his family's accusations meaning uncaring toward others but in Ayn Rand's sense of being motivated by his own values and happiness.
However, Rearden isn't fully consistent in his commitment to himself.
In his work, he has created an unremitting source of joy, but in his marriage and family life, he acts selflessly. His wife and family members are unemployed parasites who live on his generosity and criticize him relentlessly for his indifference toward them.
Their accusations have only one purpose: They want him to feel guilty for his ability, initiative, success, money, pride, and happiness. Rearden's family wants him to feel responsible for their feelings of helplessness, misery, and despair. If they can convince him, at some unspoken level, that he is the reason their lives are empty, Rearden will be malleable clay in their hands; they'll be able to control him.
Unfortunately, Rearden feels an obligation to them. Although they contribute nothing to his life but more burdens to carry, he believes that he must take care of them. Rearden has accepted the code of altruism, the moral theory that claims that the able have the responsibility of caring for the unable.
Consequently, he gives to them endlessly without receiving anything positive in return, without asking for or expecting any reciprocation.BOOK REVIEW: Edward W. Younkins, Editor, Ayn Rand’s Atlas Shrugged: A Philosophical and Literary Companion (Ashgate Publishing, Aldershot, Hampshire, UK ) pages, $ (paperback).
Ayn Rand’s Atlas Shrugged is a collection of thirty-six essays on Rand’s monumental novel and its meaning. winning essay Just as the ancient tellers of myths discerned some truth, however limited or obscured, in their heroes, even the moochers and looters discern bits of the truth about Galt.
Mr. Jul 14, · Eddie Willers final scene, for me, is one of the most haunting scenes in the entire book. I don't know what Rand said his function was, or why he wasn't admitted, but I think it is one of the most human moments in the entire story.
Eddie Willers. BACK; NEXT ; Character Analysis. We get Eddie Willers. In a book filled with larger-than-life heroic figures, living legends, moral strikers, destructive "looters," and industrial giants, Eddie is just a . Willers goes into the Taggart Transcontinental building, to the president's office.
James Taggart, who runs the railway, is described as an unattractive, vacillating man. The reader learns, through Eddie's flashbacks, that Eddie and James Taggart (Jim) were childhood friends, and that Eddie's family had worked for James's father and grandfather.
Suggested Essay Topics. torosgazete.com role does Eddie Willers play in the unfolding drama? What does his character say about the role of the common man in the world of Ayn Rand?